BackLog is the place to share your memories
of the glory days of consumer electronics and computing, from the 1940s to the 1980s.
MORE SHOCKING EXPERIENCES
BootLog Sixties Technology section brought back lots of memories of my days as
a TV and audio engineer for Rumbelows (remember them?) between 1971 and 1980
followed by 3 years as a field engineer for the local Co-op.
I vividly remember getting a 'belt' from a CRT final
anode, especially the Thorn 3000 series colour TV. This was a panel-swap model,
the guys in the field just changed the circuit boards and we fixed the panels
back in the workshop; we used to sneeringly call the field engineers ‘panel
pushers’. Anyway when you got a shock from this TV you involuntarily snatched
your hand out from the box-shaped chassis and all the soldered joints under the
panels left a fine lattice of scratch-marks on the back of your hand, eeeeek!
Happy days, not!
Working inside the back of a colour TV can be a hazardous business, especially to the backs of the hands...
first joined Rumbelows black and white 405-line TVs were still around but they
were being phased out as I started my early career as a telly engineer. This
was at the beginning of colour broadcasting in the UK and Beeb 2 used to show
those peculiar European test transmissions, or just a test card.
sets I worked on were Baird valve jobs in huge spine-breaking cabinets. As an
apprentice I used to go out with the "collect and loan" bloke. At the
time there were also loads of black and white dual-standard (405/625-line) sets around
with a 12-inch long system switch across the back of the circuit board. This
was often the main cause of problems and was usually fixed by some judicious
squirting of Genklene whilst vigorously waggling the switch side to side. It
was then topped off by a final spray of Amberlube, which didn't evaporate like
were lots of Baird mono TVs around back then, but my favourite was the Thorn
1500 model because it was such a doddle to fix. It always brings to mind the
Led Zeppelin track Black Dog (on LZ4) that has a line in it that says "I
don't know but I been told a big legged woman ain't got no soul". Amongst
my fellow engineers this became:
"I don't know what I been told but C98 got no frame hold’. C98 was
the bypass capacitor for the PCL805 frame oscillator valve and it used to fail
regularly and cause a rolling picture in the 1500.
even get me started about setting the static convergence on a Thorn 3000 TV,
trying not to let your hand tremble as it twisted the circular magnets on the
(bloody high voltage) scan coils, whilst trying to hold a mirror and looking at
the cross on that 'orrible kid's chalkboard on Testcard F. it's amazing any of
70s TVs like this one relied on replaceable circuit boards or 'panels' that were swapped by a visiting engineer and then taken back to the workshop for repair
to carry with us workshop-cobbled "tube-bashers". I think the circuit
came out of the now-defunct Practical Wireless or Television magazines and
consisted of a few components but it had a quite impressive 60W light bulb on
the top that flashed as the basher did its work. Basically it hammered the
cathode of the tube to try and burn off accumulated deposits to eke a few
more months’ life from the picture tube after the images had begun to take on a
remember power supplies in Thorn 3000 series TVs, These had large ‘dropper’
resistors and after a while they began to look like a bunch of grapes. They
failed frequently so engineers just ‘bridged’ the faulty one by soldering on
I became the "audio bloke" and this coincided with the influx of
cheap and crappy music centres, which took over from coffin-shaped radiograms.
There was one long standing problem with a Waltham music centre. It kept coming
into the shop with blown output transistors and I couldn't understand why. It
was fixed checked and sent out in fully working order but the next day it
always came back.
The ubiquitious 1990's 'music centre, this one is a cheap and cheerful fake Hi-Fi stack system and the bane of service engineers
finally dawned on me that when you screwed down the transit screws on the
record deck -- two big fat screws that stopped the deck falling off its coiled
spring legs when it was being moved -- the deck touched the heat sink tag of
the output transistors. If the transit screws were not undone as soon as power
was applied the transistors blew.
music centre I’ll never forget was the Thorn Pilot, I even bought one. I thought
it looked really compact and neat with it’s rounded contours. The problem with
this one was the tuner cord -- basically a string that connected to the tuner
knob to a pointer that moved along a tuning scale. The cord path was a bit of a
nightmare (as were many others) because if you had never seen it threaded up
and it snapped, trying to guess the route the cord took around the pulleys and
tuner spindle was a near-impossible task. Of all the things I hated most about
being Mr Audio, restringing tuners was the worst.
only music centres that caused me grief. Some customers seemed to think that if
the tape reels in a Compact Cassettes stopped turning a liberal dose of 3-in-1
oil would free it up. In fact the mechanism was quite complex and relied on
friction to work properly. I got so pissed-off with people's DIY efforts to fix
cassettes that I wrote a two-page article, which was published in Amstrad
the early 1980s the pace of technology was accelerating and a friend at
Rumbelows lent me a Sinclair ZX80 computer. I recall being thoroughly amazed at
this tiny machine's ability to allow you to type instructions into it and to
actually follow them. This was the dawn of my desire to find work as a
programmer. I have worked in IT for some 22 years now but it's all too easy to
forget those early days....
If you would like to entertain, amuse or educate us with some recollection of early computers, TVs or videos then drop us a line at: email@example.com