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REVIEW
HEAD
SAM'S SON
INTRO
It's here, at last. We've been trying out one of the first samples of the
eagerly awaited VPE-808, Samsung's latest 8mm budget compact
COPY
We had almost given up hope on the Samsung VPE-808, following several
months of delay it has finally arrived. We've managed to get our hands on one
of the very first samples, and yes, it has been worth the wait. The 808 is a
very close relative of the VPE-807, which we tested back in April. This latest
Korean designed and built machine is another clear warning to the Japanese that
they had better watch out as their neighbours are catching up fast.
Although a budget machine the 808 has many of the features we associate
with a well-equipped middle-market compact camcorder, they include an
inner-focus lens with 8x zoom, digital autofocus, automated camera controls
with manual overrides for backlight compensation and high-speed shutter; it has
a fader, title generator, self and interval timers, plus full infra-red remote
control. Above all it looks and feels like a camcorder of the 90's, we're sure
Samsung won't mind us saying that some of their earlier machines looked clumsy
and dated by comparison with contemporary Japanese designs... The chief
differences between the 808 and 807 are a clip-on video light, sportsfinder
eyepiece, credit-card sized remote control and revised cosmetics. The most
important feature, though, is the price, which is £550, that's the same as the
launch price of the 807, which has now been reduced to £530. In today's
economic climate, with reverberations of the pound's devaluation still echoing
around the industry, that has to be very good value for money.
LAYOUT AND HANDLING
Samsung have learned their lessons well and the 808, like the 807 could
easily pass for a Japanese machine, albeit one from a year or two ago as there
are clear reminders of past models from Panasonic, Sanyo and Canon. The
camcorder controls are large, well-spaced and easy to find, the only exceptions
are the main auto/manual switch, which is too far back, and the manual focusing
buttons. We've nothing against inner-focus lenses per-sé, but it's vital that
adequate provision is made for manual focus. The best machines have servo
control rings on the lens barrel, the worst ones have just a pair of buttons or
rocker switch. This arrangement tends to be slow, unresponsive and innacurate.
Sadly the 808 falls into this latter category, the only piece of good news is
that the 808's digital AF system is quite lively and rarely steps out of line
in good light.
Overall balance is good and although a tad heavy by current standards
it's comformtable to hold . Build quality is generally high, the controls feel
positive and the panels fit together well; they're things we always look at
very carefully on budget machines, where standards have sometimes been known to
slip. The sportsfinder eyepiece is fairly crude, true, you can see most of the
screen at a distance, but its blurred and distorted, moreover, the corners of
the screen are rounded, it looks a bit like the picture on an old black and
white television.
We're a little concerned about the 808's accessory shoe, the one on our
early rewiew sample appeared to be a non-standard size, too small in fact for
the accessories we had to hand which included a couple of different makes of
video lights and mic bracket. We hope this is confined to our machine, we will
check a production model as soon as one becomes available, but if it's not we
urge Samsung to do something about it!
PERFORMANCE
Our test sample -- the only one in the country at the time -- had been
very well used and resolution was just under 230 lines; we hope production
models will be back up to the sort of figure we found on the 807 which was
around 250 lines; if so that put it in contention with machines costing a
couple of hundred pounds more. The only signs that this is, indeed, a budget
machine is the rather relaxed white balance system which is very obviously
optimised for natural light and no amount of fiddling with the manual overrides
can cure the yellow-green caste, when shooting under fluorescent light. There
is some very slight colour spillage, which seems to mainly affect shighly
saturated reds, but it's not a major problem.
Picture noise levels are about average, certainly nothing to worry about
in good light. As light levels fall there is an increase in grain, and the AF
system starts to strruggle a little. The clip-on video light helps, especially
on close-ups and dimly-lit rooms, though it eats into the battery, reducing
running times by at least half, from around 30 minutes to 15 or less, with the
light switched on.
The 808 is equipped with insert edit of sorts, edit points are clean,
though the system is not terribly accurate and at best only gets to within a
second or so of the designated points.
Sound quality is good, the mic is reasonably diectional and the FM
soundtrack has very low levels of background noise. The external microphone and
headphone sockets are rare and welcome features on a machine in this price
bracket.
VERDICT
Samsung go from strength to strength, though it has to be said that the
808 is not significantly different from the 807 to warrent being called a new
machine, and the overall design still lags the Japanese by a year or so but
they're catching up fast!. However, this should turn out to be a winner in the
generally lacklustre budget sector, where there is currently very little worth
considering under £600.
SPECIFICATIONS
Make/model
SAMSUNG VPE-808
Recording format 8mm
Guide price £550
OPTICS
Lens
f1.8, 6-48mm
Zoom
8x
Filter diameter
46mm
Pick-up device 0.3in
CCD (320k pixels)
Min. illum. (lux) 3
VIDEO DECK
Long Play (LP) yes
Max. rec. time 240mins
(LP mode)
IR remote control ? yes
Edit terminal? no
MAIN FACILITIES
Auto Focus? yes
Manual focus? yes
Auto exposure? yes Manual
iris? no
Programmed AE? no Backlight
compensation no
Auto white balance yes Manual
white balance? yes
Power zoom yes Manual zoom? no
Character generator? yes Digital Superimposer? no
Image stabiliser? no Insert
edit? no
Battery refresh? no Accessory
shoe? yes
Record review yes Fader? yes/black
Digital effects no Digital zoom? no
ADDITIONAL FEATURES
time/daterecording, self/interval-timer,
high-speed shutter (5-speed up to 1/4000th sec), record review, tally lamp
VIEWFINDER
Viewfinder
0.6in monochrome
Sportsfinder eyepiece? yes(ish)
Viewfinder info.
deck mode and status, low battery, tape count, shutter speed, fader,
focus mode, tape end, time/date, title, zoom position
AUDIO
Stereo? no
Audio dub?
no
Wind noise filter? no
Mic socket? yes
Headphone socket? yes
Microphone omnidirectional
electret
GENERAL
Sockets
video and audio out (phono), earphone and external mic (minijacks)
Size (mm)
107 x 128 x 300
Weight
1.2 kg (inc. tape and battery)
STANDARD ACCESSORIES
Batteries, (nicad and lithium), straps, AC charger/power supply,
AV lead
video light? yes remote
control? yes
cassette adaptor? no RF Converter? yes
SCART adaptor? no
PERFORMANCE
Resolution
<230-lines
Colour fidelity
average
Picture stability
average
Colour bleed none
White balance fair
Exposure
good
Autofocus
average
Audio performance good
Insert edit
fair
Playback thru adaptor N/A
VC RATINGS
Value for money 9
Ease of use 8
Performance 8
Features 8
---end---
(c) R Maybury 1993 1407
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