REVIEW
SEE ME, SEE YOU JIMMY...
INTRO
First Sharp, then Sony, now JVC have jumped on the colour-screen
bandwagon with the GR-SV3 Infocam
COPY
We’ve had them on the back, the side, the top and now the front. We are
of course referring to LCD screens on camcorders. We’re keeping a close eye on
Canon, Hitachi and Panasonic, the last remaining Japanese companies not to have
jumped on the ViewCam bandwagon, to see who’ll be first with a screen on the
bottom....
The screen is on the front of the JVC GR-SV3 Infocam, launched just a few
weeks ago. That’s a rather odd place when you think about it, but with
characteristic ingenuity not only have they got away with it, they’ve even
managed to make it look like quite a good idea. JVC have got high hopes for
Infocam, and they’ve obviously learned a lot from the likes of Sharp, Sanyo and
Sony and pitched their machine at the lower end of the market, where it won’t
unduly alarm their target market, the 90% of people who don’t yet have a
camcorder. Infocam, like the Sharp ViewCam and Sony Vision before it, is a
concerted attempt to de-mystify video movie-making. It’s no coincidence then
that Infocam looks a bit like a chunky still camera, and it’s just as easy to
use.
JVC clearly had a problem when they decided to go down the ViewCam route,
and although putting the screen or ‘Swing Monitor’ as they call it, on the
front avoids too many obvious comparisons, it makes it tricky to justify. Their
solution was to invent some new facilities to take advantage of this position.
The first one uses the screen to display whatever the camera is recording, in
other words the subject can see themselves as they’re being recorded. This gets
a number of reactions, from feigned shyness to overt vanity, but certainly not
the kind of wearied indifference you get from a conventional machine. It can,
of course, be switched off, but where’s the fun in that?
Infocam also has a clever self-record facility, JVC say it’s useful for
leaving video messages. Set the machine to ‘message mode’ flip out the little
wire stand at the bottom, look at the camera and press the ‘record’ button on
the side of the screen, say your piece, press it again to end the message. The
machine then goes into standby mode, with the green tally lamp winking to show
a message has been left; all the recipient has to do is press the play button,
and the message is rewound and replayed. Lastly, the screen acts as a
viewfinder (Infocam has an optical viewfinder for normal use), the screen is
mounted on a hinge that allows it to swing up , so it’s visible from behind the
machine, at the same time the image inverts so it is the right way up. The
screen can be used for playback in either position, and it has a small built-in
speaker, so you can hear, as well as see the recording. By the bye, the screen
on this machine is made by Sharp, just thought you’ like to know.
Apart from a simple 3x zoom lens it has no creative facilities as such,
but one feature which we instantly took to, and would like to see a lot more
of, is a 5-second record mode. When activated the machine will record for 5
second bursts every time the record button is pressed; if you want to record longer just keep your
finger on the button. Normal stop/start operation is also available if you want
it. The effect of 5-second record is dramatic, video movies moves along at a
much brisker pace, no more over-long shots where nothing seems to be happening,
the audience doesn’t get a change to bet bored. This simple little feature does
more to improve the look of a video movie than a carrier-bag full of fancy
digital effects and image stabilisers, more please.
Not suprisingly there’s not much in the way of accessories for the SV3,
it seems unlikely there will ever be any add-on lenses, we can’t even see a way
of fitting a lens cap, which seems like a mistake. The lens is easily damaged
and could result in some costly repairs.
There will be a clip-on tuner module available fairly soon. The TU-V20
will cost around £130, and attaches to the side of the machine. Sadly there’s no
off-air record facility or timer function but it’s just the job for those who
want to watch a bit of TV on holiday, and being VHS-C it’s also possible to
take some recordings with you, made on a full-size VCR, using the supplied
cassette adapter. You can get up to 90 minutes on a 45 minute tape, and a
60-minute tape is due out soon that will last up to 2 hours in the LP recording
mode.
LAYOUT AND OPERATION
There’s only a handful of controls to worry about. The power/mode
selector knob is on the top. Next to that, under a little flap, are the tape
transport, various secondary controls and a small LCD info panel. On the back
panel there’s the main stop start button, it doesn’t have a safety catch but it
is recessed so there shouldn’t be too many accidents. On the front there’s a
pair of buttons for the zoom just below the lens. The message record and play
keys are on the screen housing, along with a display on/off button. The tape
loading hatch is on the back, behind that there’s another set of buttons for selecting
recording speed, setting the clock and adjusting the tracking.
The control layout is good, everything is where you would expect to find
it. We did run into some problems with the lens and screen, though. Several of
our reviewers found their finger strayed into shot if they weren’t careful,
this isn’t visible on the optical viewfinder so you don’t find out about it
until it’s too late. Those with larger hands also found their fingers ended up
on the viewfinder screen, the anti-reflective coating smears easily if you so
much as look at it, so it ends up looking a mess very quickly; it’s just as
well it comes with a sun hood/cover and cleaning cloth.
The fold-out stand on the bottom is a waste of time; it doesn’t tip the
machine far enough back to for it to be any use on a table-top, so you still
have to crouch down, if you want to make a message recording, and get your head
into the shot. The tripod mounting boss is way over on the left side of the
machine -- presumably to avoid fouling the deck mechanism inside -- this has
the effect of making it unstable on smaller tripods.
PERFORMANCE
In spite of the paucity of creative effects and very basic lens picture
quality on the SV3 is everything you would expect from JVC. Resolution is just
over 240-lines, though only on recordings replayed on a monitor or TV, the LCD
screen struggles to resolve much more than a couple of hundred lines. The
screen itself isn’t very bright and is easily washed out in daylight. Recording
colour fidelity is good, and it doesn’t disgrace itself under tube lighting,
though indoor shooting is not one of this machine’s strong points. The 0.25
inch image sensor and tiny lens mean low light performance is indifferent.
Noise and grain are evident well before you would see it on most other
machines, so if you plan to do a lot of recording inside make sure the scene is
very well lit. In good daylight noise levels are very low and the picture looks
crisp and bright.
The mono linear soundtrack and built-in mike is okay for catching speech
from subjects up to three or four metres away, after that everything disappears
into a bit of a mush.
VERDICT
JVC have cleverly avoided this becoming just another me-too product.
Infocam is sufficiently different not to be confused with ViewCam and Vision,
though no-one, not even JVC could deny where their inspiration came from. It’s
unfair to compare Infocam with mainstream camcorders, it’s aimed at an entirely
different market, so, for that reason alone Infocam succeeds. Everyone who sees
it for the first time wants to pick it up and have a go, and they don’t need to
be told how to use it. The price is fair and the results are good. We’re not
sure about message recording; our guess is that once the novelty has worn off it’ll quickly fall into disuse, though as
JVC point out, anything that keeps a camcorder out of the bottom of a cupboard
has to be worthwhile. The only note of caution we would add is that anyone
attracted to this type of machine should bear in mind that if they do take to
video movie-making Infocam and its ilk are a bit of a dead end, and if you’ve a
drawer full of instamatic cameras, take heed...
THE RIVALS
Both of Infocam’s main rivals -- Sharp EC31 and Sony SC5 -- cost £100
more (on paper at least), so from that standpoint it comes out best. If an LCD
screen is the critical feature for you then take a look at the new Sony
CCD-FX730 (reviewed last month), though we would also suggest you look at the
Sanyo EX33 as well, as this costs about the same but has several more useful
facilities, including a manual focus option. Finally, it would be remiss of us
not to point out that for £800 you could also buy a splendid high-band
camcorder like the Panasonic NV-S70, which also has stereo sound and a host of
creative facilities; believe it or not it’s just as easy to use as Infocam in
the full auto mode.
SPECIFICATIONS
Make/model JVC GR-SV3
Recording format VHS-C
Guide price £800
OPTICS
Lens f/2.8
Zoom x3
Filter diameter n/a
Pick-up device 0.25in CCD
Min illum 8 lux
VIDEO DECK
Long play (LP) yes
Max rec time 90 mins (LP mode)
IR remote control no
Edit terminal no
MAIN FACILITIES
Auto focus fixed
Manual focus no
Auto exposure yes
Programmed AE no
Fader no
Manual white balance no
Auto white balance yes
Manual zoom no
Power zoom yes
Insert edit no
Audio dub no
Character generator no
Digital superimposer no
Image stabiliser no
Video light no
Battery refresh yes
Accessory shoe no
ADDITIONAL FEATURES
time/date recording, message recording, self-timer, auto indexing,
5-second record mode
VIEWFINDER
Viewfinder
optical and 2.5in colour LCD
Viewfinder info
none
AUDIO
Stereo no
Wind noise filter no
Mic socket no
Headphone socket no
Mic unidirectional
electret
GENERAL
Sockets AV in/out
(phono), remote (minijack
Dimensions 172
x 120 x 82mm
Weight 1kg (inc tape and battery)
STANDARD ACCESSORIES
Batteries (nicad and lithium), straps, AC charger/power supply, sun hood,
cleaning cloth
AV lead yes
video light no
remote control no
cassette adapter yes
RF Converter no
Scart adapter yes
PERFORMANCE
Resolution -lines
Colour fidelity
Picture stability
Colour bleed
White balance
Exposure
Auto focus
Audio performance
Insert edit
Playback thru adaptor
VC RATINGS
Value for money
Ease of use
Performance
Features
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R Maybury 1994 0610
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