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BERLINEA 10 80 15, 21-inch Monitor
STANDFIRST
If you’re still putting together video movies
on a titchy 14-inch monitor, it’s time you took a look at the big picture. This
21-incher from Berlinea might be a good place to start
COPY
Larger colour monitors, 17 inches and above,
can be a bit of a mixed blessing for desktop video applications. The desktop
bit is okay; the look and legibility of most PC software improves immeasurably,
writ large, at higher screen resolutions. The downside is moving video. Sitting
close to a sharply resolved picture on a large screen magnifies every minor
imperfection in the original recording and any subsequent processing.
Fortunately the impact is lessened by the time footage has been back through
the digital mill, copied back to VHS tape, and shown on a ordinary TV at normal
viewing distance...
The snappily named Berlinea 10 80 15 digital
multiscan monitor is particularly good at showing up mistakes. The big, bright
21-inch FST display has a viewable screen area of 400 x 305mm, which equates to
a 20 inch picture (measured diagonally) in old money. That’s a lot of screen,
for a fair amount of money; the street price is hovering around the eleven
hundred pound mark. Despite its size the cosmetics and compact cabinet help to
keep it in proportion, the actual footprint isn’t that much larger than a
typical 17-inch display.
For such a sophisticated design there’s
surprisingly few controls, just four buttons which operate the comprehensive
on-screen display, that between them adjust all picture parameters, as well as
geometry, moiré pattern reduction, colour temperature, input selection, degauss
and display language. Changes to factory defaults are registered as a user
setting, up to 13 ‘modes’ as they are called, are permanently stored by the
monitor’s main processor.
Scanning frequency and display mode selection
is automatic, it can handle all the usual permutations of display frequencies
(horizontal 30 to 115kHz, vertical frequency 50 - 160Hz), and modes conforming
to VGA, SVGA and VESA standards, up to 1600 x 1200 pixels. It supports the most
widely used energy-saving protocols (VESA DPMS and DCC1/2B), and it can be used
with both PCs and MACs, though the latter will require a cable adaptor.
Around the back there’s two separate input
connections; Port A uses a standard 15-pin D-Sub socket, Port B is via a set of
five BNC sockets. There’s also a
mysterious RJ11, US style telephone socket. It’s not mentioned in the
instruction manual, and we’re still not sure what it’s for.
PERFORMANCE
We put the 10 80 15 through our standard
monitor test routine. Following a 30 minute warm-up, it was subjected to
CheckScreen and Ntest monitor test programs, using all standard display
settings. Between them the programs highlight any abberations in focus, colour
purity, picture linearity, geometry and power regulation. In practice the shape
and size of the picture are of relatively little concern as they can be
adjusted, though it’s always encouraging to see a correctly set up display,
straight out of the box, as was the case with this model. Focus is vitally
important, particularly on a large display, moreover it’s not a user
adjustment. We’re pleased to report the image on the 10 80 15 was pin-sharp,
right up to the edges of the display. Convergence -- the accuracy with which
the red, green and blue images are overlaid -- was spot on, and the power
supply handled the regulation tests without any difficulty. In short the 10 80
15 came through with flying colours -- and very clean colours they were too.
SUMMARY
There’s nothing to add. To sum up, on-screen
performance is very good indeed, it’s easy to set up and use, it looks the part
and the price is fair. Definitely worth considering.
How Much?
£1115
(inc. VAT)
Tube size
21-inch FST
Visible display area
400 x 305 mm
Dot Pitch
0.25mm
Max Resolution
1600 x 1200 pixels
Max refresh rate
auto scan to 160Hz
Dimensions
505 x 487 x 508mm
Weight
28.5kg
Maxdata (01189) 362900
CV RATINGS
Features 8
Performance 9
Ease of use 9
Value for money 8
Overall Rating 88%
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Ó R. Maybury 1998 1901
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